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~ When There is A Hidden Power Struggle For The Country's New Direction
~
GWI 3-A The Majesty Of The People:
This is a very complex
button that has eluded all historians and published button
collectors for centuries. They have all continually misinterpreted
GWI 3 as a George Washington Inaugural button. My current research
on both the depiction of the new morning sun rising above the
clouds, and the
inscription majesty of the people point toward a secret meaning that
have both political and
social layers. So in a nutshell before I give you my theory,
historical views, evidence,
I will give you the conclusion I have come to.
I believe
GWI 3 was made by the Jacobites to honor George Washington,
and too coheres his decision on what America could be if
he accepted the crown and ruled the country as a monarch.
So we have to realize that there is a public layer to GWI 3 as well
as a subcutaneous layer that the Jacobites (men
of knowledge and power) used for their self-serving agendas in the pursuit of
their own family's happiness. The depiction of
the Majestic Glory of the heavens with it's sun rising above the clouds
could serve both colliding factions (All the people seeking the power in the new
country) adequately. So what is the layer you don't
see? The layer you don't see is the Jacobites who want to retain
and carry forward their power in society. First, we have to look at the
symbolism of the depiction of the new morning sun rising above the
clouds. This
specific design was commonly found on other patriotic memorabilia
throughout the era.
I have found an assortment of items ranging from painted wood
furnishings to various manufactured products. The depiction was
chosen to conjure-up American sentiment, pride, and patriotism for
the peoples new founded country. It shows how America's
finally broke free from under the tyranny of the British Empire's
rule and restrictions. This is the underlying theme
that benefited both the Jacobites and the American-born democratic
citizens. Both of these factions can use this symbolism to
advance their agendas, but of course for different reasons. The Jacobites can rule
in this new country the way they see fit, and
without paying any kind of tribute or adhering to the rules placed
on them by the old
Scottish-British families; that
had controlled everything for thousands of years. To the
American-born citizens who received no benefits due to their
placement of social standing because of their origin of birth or
lack of family bloodlines, the symbolism says that all Americans can
choose their own destiny, and have an equal chance at prosperity without
the burden of the Old British Empire's rule and taxes.
As the Egyptian Pharaohs would say:
"Let it be
written, let it be done". That
statement goes for both parties in this scenario.
The second aspect of this
button is a bit more complex unless your a student of
Scottish-English nobility, the Ancient Art of Alchemy, George
Washington, and the use of the Freemason's organization to further
the goals of certain Royal Bloodline families. For thousands of
years certain extended-Royal families retained and kept the
knowledge secret from the public, and advanced their own agendas under the cover of
the British's Empire of expansion
throughout the world. The legend in GWI 3 supposedly pays tribute to George
Washington directly by inscribing, "The Majesty of The People". On
the top layer past historical collectors
surmised that an un-educated populace would see George Washington as the
father of their new country and deserving of the title.
Unfortunately, I do not
believe a researcher should go down that avenue for the proper meaning behind
the inscription. To get at the truth, one must ask and answer two questions.
First, why would the engravers inscribe, "The Majesty of The People"
for the inscription when it was common knowledge he was against having the title
of King. Second, who would benefit the most from Washington accepting the
crown over being President?
My personal theory is that
the Jacobite families who wanted to retain their sovereign nobility titles
in America would have pressed Washington to be King. Researchers should
realize there was still a class of people that would benefit
enormously from Washington being King with sovereign powers then having a
democratic system by the people put in place. I believe there were only a few
of these GWI 3 buttons made in order to aid and give support for this
Jacobite notion. Perhaps at one point someone presented a GWI 3 to him, or
the people around him. This
button would have represented what America could be if he took
the crown and title as King! - Robert J. Silverstein
But, I believe there is
more to this story that has several underlying layers that is still
hidden to historical button collectors. Maybe even the real reason why
George Washington
burned his personal diary that detailed the events and people he
thought should never come to light in America's history. I think
Washington foresaw what could happen in America's future if these
Jacobites
regained power, and did
not want his countrymen to have the hardship of the same
European structure system that Monarchs and nobles were privileged too.
Being a Freemason had afforded Washington with the information of
knowing that
the real power of knowledge and wealth rested with these
European Jacobite families that operated throughout the world.
These were the decedents of the
stewards to the various counties Kings who were allowed to marry into the Royal
families over thousands of years. Only these bloodlines
were allowed to learn the secrets of the skilled professions,
and they controlled apprenticeships by strict admission by
either birth or marriage.
Our history books and scholars claimed that Washington was a virtues
man, and his humility would not allow himself to accept the crown.
Is this true or only half the truth?
I believe this is only partially correct. George Washington was a
Freemason and understood the strict control of knowledge in society
and this was prevalent even within the Freemason organization
itself. These Freemasons who operated on a Master's level
kept and wielded the secret knowledge of Alchemy and the skilled
Arts throughout the world. While the Kings and Barons controlled the
real power of land ownership and wealth. There lies the
important difference that researchers do not take enough stock-in
when putting all the pieces of the puzzle together.
I find as one gets older and wiser he realizes there are many layers
of perception, and scholars unfortunately only tell half the story
for fear of the truth being known.
Meaning that some of these layers are used to
blind us of the real truths, and other layers are to hide the
answers to the questions we aren't suppose to ask or
know. To help
illustrate my theory without giving you a history lesson
about the American business infrastructure during the 18th
century, lets look at some common historical perceptions
that were afforded to the general public. Yes,
American-born citizens revolted to the unfair trade policies
and taxes of the British Empire. This is the top layer
that history books and scholars emphasize to
the mass public; but there
is also a deeper layer that is purposefully hidden with hopes
we would ignore the real-truth. This subcutaneous layer is
the
"Strict Class-Structure"
that was in place all over the
world for thousands of years that would take more then a mere revolution by
the American populace to
replace. That is the
underlying piece to the puzzle we are not suppose
to question. So for thousands
of years throughout the
world (with the
suppression of knowledge by the Vatican) all skilled
professions and knowledge was strictly controlled by
certain bloodline families who's members were
associated with freemasons.
After the American Revolution
the climate changed for
all the European families to make return on their
investments. So they pulled back their money and family members who
possessed the much needed skills for an American
Business infrastructure to operate successfully. America was
left with masses of unskilled and uneducated people
with no educational institutions or professional opportunities to change their course
for the common person's prosperity. Washington was forced to use his Freemason
organization to coheres European
Jacobvite families who were Masters in several of the
skilled arts to come back with their secret knowledge and make the American business infrastructure work.
Only this way he could promote his revolutionary dream for the populace
and
the American-born aristocratic families he felt obliged
too.
As
with all GW Inaugurals and Tribute buttons this was
originally engraved in a steel die, and then stamped on
either brass or copper planchet.
I believe only a handful of
these buttons were made for a specific intent by certain
individuals. After they were fabricated, I believe they
were either taken back to the original die engravers or
possibly a Jeweler to be hand-fashioned or chased for
presentation. This is a
one-piece button, and uses a soldered on loop shank. The Size
for GWI 3-A is 32mm, and has an R-7 Rating. The button's
pattern depicts a
Radiating Sun with a Smiling Face Above the Clouds.
The Sun's Rays have large triangles with lined or
stippled outlines. Within the triangles themselves are
cross-hatch pattern of notches. Outside of the sun's
triangles is a second pattern of lined
Rays
that emanate toward the periphery.
Rolling out from under the rising sun, is a number of
Swirling Clouds
in a semi-circular pattern. This symbolizes the notion
of being above the heavenly clouds. Circling around the
outside periphery is a
Lined or
Stippled Ring.
This helps separate the button's inner picture design,
and the legend's slogan. Written within the outside legend
is a reference to George Washington accepting the crown,
"The Majesty of The
People".
This is inscribed in all Roman Font Capital Letters which
circles around the outside border. An
Artful Separation Mark
was stamped on the bottom of the
legend at the 6 o'clock position to show the beginning
and ending of the slogan. It is depicted by an,
"
X with two Arrows pointing toward
the crosshatch of the X".
The outside edge shows another
Stippled Ring with a Beveled
Edge.
The button's design is suppose to symbolize the
Majestic Glory of the Heavens
Shinning on America for the New
Era.
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GWI 3-A THE MAJESTY OF THE PEOPLE
Color: An Copper Red Patina with Greenish Yellow
Encrustations.
Metal: Flat, 1-Piece, Stamped and then Hand-Fashioned
Afterward, Copper.
Size: 32mm.
Rarity: R-7
Variety Type: Triangle Notches in the Sun's
Triangle's Pattern 1.
Present Condition: A Non Excavated Specimen,
Exceptional Planchet Condition, Strong Impressions
Remain.
Obverse Button Analysis: The button still retains
a nice image of the original depiction. The copper
planchet is solid and flat, and shows no signs of metal fatigue
or deterioration. The surface has been lightly polished
by Cobb, but still has a bright luster with a nicely aged
copper color tone. The Sun still holds a strong outline
impression, but the sun's face is worn smooth and
unrecognizable. The
surface does show some very thin light scratches,
but they seem have mixed with in with the copper color tone over the
years nicely. The Star like stippled pattern emanating from the
sun still shows a strong image with good clear indentures within.
The fine line rays striking outward toward the legend
also have nice clear incuse lines. The rolling clouds
under the sun shows some flat wear in spots and
unfortunately they become mutt led. Meaning the circles blend into
each other, and do not show individual swirls.
The outside stippled ring still depicts a nice clear
impression. The Roman Style Capital
Letters are mostly worn flat in "MAJESTY OF THE", and
completely worn flat for "PEOPLE". The outside
edge is still intact without any bends
or indents. The artful Separation Mark still retains a
nice deep
impression with a good clear image.
Reverse Button Analysis: This is a flat one-piece
button with a loop shank. The shank was re-soldered.
Library Records Has Limited Information WI 3 A-1:
History: Yes
Recorded Sales Price:
Yes
Current Button Owner and Location: No
Harold Cobb/Descendants
1964 to 2003 Stacks Sale.~
Cobb purchased this from Jack Martin at the 1964 APIC
convention in Hartford, Connecticut.
This was from The John Andrews Collection.~ |

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GWI 3-A THE MAJESTY OF THE PEOPLE
Color: A Bright Brass Yellow with Orange
Highlights.
Metal: Flat, 1-Piece, Impressed Design, Brass.
Size: 32mm.
Rarity: R-7
Variety Type: Triangle Notches in the Sun's
Triangle's Pattern 2.
Present Condition: A Non Excavated Example,
Strong Planchet Casting, Good Impressions.
Obverse Button Analysis: This button seems to be
in superior condition for it's age. This was donated by
Reginald Hart to the Lightener Museum in St. Augustine,
Florida. The button has a high luster, and still retains
it's original tone. The brass planchet appears to be
solid and flat, and shows no waviness or shallow
depressions. The surface has a few light scratches and
abrasions, but nothing that detracts from any of the
designs. The Sun's face still holds a clear image, and
is the only example known to do so. The sun's triangles
have a nice stippled outline with clear cross hatch
impressions. The shooting rays show nice clear lines,
with good deep impressions. The rolling clouds on the
bottom are clearly outlined, and show clear swirling
lines. The Roman Style Letters all have a nice deep
impressions, and are easy to read. The artful separation
mark has a deep stamp, and clearly shows the two arrows
meeting the X in the middle.
Reverse Button Analysis: This is a flat one-piece
button with a loop shank. The shank is original, straight, and
intact.
Library Records Has Limited Information WI 3 A-2:
History: Yes
Recorded Sales Price:
No
Current Button Owner and Location:
~ Florida ~
Now resides in the Lightener Museum, St. Augustine, Fla.~
Previously part of the
Reginald Hart collection.
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