The Anglo Protastant
Artisan Engravers
usher in Scottish Heraldry

Draft 2:

Robert Scot
and his
Philadelphia Artisan’s
of 1789

*************             *************             *************

*************             *************

*************

       With the invaluable help of Gary Gianotti and Dale Hawley, we were able to identify Robert Scot as the “International Guild President and representative of hidden superiors who controlled the design elements relating to Scottish Royal Culture and Judaeo-Christian history artistry. With their advanced artistry skills of transformational art, and their mastery of the allusion technique, they were able to mask the Scottish high society’s faction’s intent and meaning behind all of America’s federal insignias symbols within official objects. Robert Scot’s was most likely an “Unknown Superior” of the Strict Rite of observance with in the Scottish lodges which would have demanded obeisance amongst the artisan class.

     By identifying Scottish Royal Culture symbols, Judaeo Christian heraldry symbols, and engraver maker marks, we were able to identify several well known artisans of the era who would have worked under the authority of Robert Scot and been authorized to create the art. People such as, Joseph Wright, Francis Shallus, John Vallance, Samuel Allardice, James Thackera, James Trenchard, Pierre Eugene Du Simitirie, Basher, and some other artisans who worked in perfect orchestration in-order to provide the New Republic with a foundation cornerstones of the New Republic.

 

 

               Rattlesnake Flag of Colonel John Proctor’s                                           Washington Wax seal
      1st Battalion West Moreland County, Pennsylvania                           
                  Post Revolutionary War Flag 1791-1793.                                     

*************             *************

*************

       We were able to cross reference many 18th century official federal, state and private commissioned objects which have well known artisan signatures to discover who was in the network under Robert Scot producing Scottish Royal Culture and Judaeo-Christian work. This also led us directly to the engravers of the Scottish themed George Washington inaugural and New Nation Tribute buttons. As exampled in the highlighted objects above, the state militia Rattlesnake flag of Pennsylvania and George Washington wax seal were produced by Robert Scot and his Philadelphia artisans. By evaluating the Transformational designs and their use of the Allusion technique it would only be reasonably assumed that Robert Scot had to supervise and control the nature and elements of the commissioned art.  Meaning, that if one looks at all the different kinds of 18th century art being produced for state officials and federal government projects the common linking denominator is Scottish Royal Culture and Judaeo Christian symbols for heraldry and authority foundations.

 

*************

New Nation tribute Buttons Sub-Variant Highlighting Engraver Religious & Cultural Homages

*************             *************             *************

       As an Unknown Superior of strict observance along with his high society status of a prominent Scottish master artisan from Canongate Lodge in Scotland, Robert Scot would have had the associated Royal authority to provide certain Scottish Royal symbols. Meaning, in relations to George Washington inaugural and New Nation tribute buttons he would have automatically controlled all aspects of the Scottish Royal Culture designs regardless of the combined works of the multiple artists who engraved the buttons. He would have overseen the original artwork and ensured that his Scottish allusion transformational art infusions were within the original design sketches before his artisan’s cut the final die hubs. For the Scottish elites who were building a New Republic it was important that Robert Scot’s art contained the Scottish Royal Culture authority with Judaeo-Christian religious symbols. Since these symbols were masked in an American heraldry allusion, the dies had to be fabricated here in America to ensure the exact hidden Scottish values intent for the true meanings. This is the main reasons the GWI & NNT dies were designed and engraved here in America instead of ideas of draft ideas sent to England button makers to have engraved. Robert Scot could not be ensured the intended message of the Scottish American high society would have transformed properly to the die engravings.

         Since there was a sizable number of new artist projects in all mediums for an establishing country, Robert Scot probably had no choice but to rely on other skill level artisans, but leaving the most important federal official projects to his well celebrated Philadelphia based artisans under his orchestration. We can reasonably assume that all these artisans through Scottish Lodge education and knowledge of historical Judaeo-Christian symbols were very accustomed with the nuances of the different worldly cultures uses in a historical nature.